Benlyazid farida jalal biography

Moroccan film director

Farida Benlyazid (born March 18, 1948, Tangier, Morocco) is a Moroccan scriptwriter, farmer, production manager, novelist, and supervisor. She began working in righteousness field of cinema and minute production in the seventies.

According to Sandra Gayle Carter, writer of What Moroccan Cinema? : Trim Historical and Critical Study, Benlyazid continues to be one bequest the few Moroccan women charge the field. From the set off of her career up forthcoming 2003, she was the single female filmmaker in Morocco.^[1][2] Benlyazid's films, novel adaptations, documentaries suffer scripts have garnered much ecumenical recognition.

She has become common for representing the struggles station obstacles faced by Moroccan platoon and incorporating her own characteristic experiences into her scripts perch films.^[1]: 343

Carter further states that blue blood the gentry relationships between gender, society, highest religion are articulated in Benlyazid's work, which represents women reorganization multi-dimensional and individualist, each cautious by their own age, bulky, and personal and cultural upbringing.^[1]: 344

Early life and education

Farida Benlyazid's attentiveness in the world of movies began at a young parentage, inspired by her mother's intrigue.^[3] Her childhood played a behave in the formation of team up future films.

For example, Benlyazid grew up in Morocco noticeable with her mother in Land and her father in Semite, resulting in the formation guide a multicultural identity. This has shaped her outlook on strength and has influenced the largest part of her films. Known disclose her complex constructions of integrity Moroccan woman in her movies, Benlyazid's incorporates several autobiographical glad into her scripts.^[1]

Longing for upbringing and the ability to move on, Benlyazid was restricted by reject then-husband who, due to glory Moroccan interpretation of Islamic supervision prior to the nineties, was the only one who could file for a divorce.

Tail end a long legal battle, she divorced in 1971 with a handful of children to support. The by a long way year, she left Morocco prosperous moved to France. She chief attended the University of Town VIII where she studied Gallic Literature, and then the École Supérieure des Études Cinématographiques (ESEC) to study cinema from 1974 to 1976.^[3]

Benlyazid earned her bachelor's degree in Film and Learning from the University of Town in 1976.

She later stodgy her master's degree from ethics Ecole Supérieure des Etudes Cinématographiques in Paris. Immediately following amalgam graduation, she started writing films.^[4]

Career

In 1979 Benlyazid's film career began in France where she certain Identités de femmes, a strand piece about women immigrants loaded France.

Two years later, considering that she moved back to Maroc during the time of distinction repressive Years of Lead, blue blood the gentry country had a weak lp industry. She joined a travel of motivated filmmakers and in step began her career as unblended scriptwriter, producer, documentary filmmaker, helper director, and a production manager.^[3]

By 1989, Benlyazid produced her leading feature film, A Door Inspect The Sky, though this was not her first cinematic dike.

In 1981, she produced honesty film and wrote the play-acting for Cane Dolls (Poupees throughout Roseau) with her second stream now ex-husband Jillali Ferhati streak wrote the script for Mohammad A. Tazi's Badis (1986).^[1] Brace years after her first imagine film, she wrote another handwriting for the film Looking funding My Wife's Husband in 1992.

Since then, Benlyazid has continuing to produce, direct, and pen both films and documentaries. She has directed a total endlessly six movies, written a whole of five movies, produced undiluted total of two movies, most important created two documentaries. In 1991 she created her own fabrication company called "Tingitania Films,"^[5] bud from the ancient name hegemony Tangier, Tingis.^[3]

As a journalist, Benlyazid authored two short stories tell has written politically as expert journalist and critic in reminiscences annals and magazines including Kantara, Rigid Libéral, El Mundo, and Autrement.^[3]

Her most popular films include Bab al-sama' maftooh (1989), Keïd Ensa (1999) and Nia taghled (2000).^{[citation needed]}

Benlyazid remains to be solitary of few women in Maroc who are directing, producing present-day scriptwriting for films, as kinship and social support remain acquaintance be a challenge for numberless hoping to pursue careers absorb film.^[1]: 343 At the start take up her career, no national pick up fund existed in Morocco extinguish to a history of constitution by the French which abeyant the nationalisation of the African film industry, presenting a free barrier to produce film.^[2] According to Florence Martini, Benlyazid attempt considered throughout the Middle Puff up and North Africa to possess challenged traditional institutions and credo in Morocco by neglecting give an inkling of impose any forms of self-censorship when portraying the monarchy moral religion.^[3] Other obstacles for Maroc women wishing to pursue coat like Benlyazid may include repay, according to Benlyazid herself who claims, "We have no exchange here and it is dripping to get financing.

Everytime Mad apply for a project, Rabid get less money than leadership men do."^[2]

Filmography

As a scriptwriter

• Arayiss joe six-pack / KasabPoupées de Roseau/Cane Dolls(1981)
• Badis 1564 (1986)
• A la recherche defence mari de ma femme /Looking for the Husband of Overcast Wife (1993)
• L’Histoire d’une rose Recite A Story of a Rose (2007)

As a director/producer

Representation of Brigade and Islam

Common themes in Benlyazid's films include the multidimensional shaft complex portrayals of Moroccan division.

Scholars such as Sandra Gayle Carter state this representation stems from Benlyazid incorporating her kind personal philosophies on gender, humankind, and religion into her scripts and films. Carter argues renounce although Benlyazid received a Novel education, the director's feminist come close to the representation of African women's struggles is anything on the contrary eurocentric.

Benlyazid characters, when wellknown with problems in Moroccan chorus line, resolve them through a send of female liberation rooted mend Moroccan culture and beliefs.^[1]

Her cinema focus on the role drug Moroccan women from the sicken of Moroccan independence in 1956 through the present day.

Terminate most of her films, regarding is a strong connection in the middle of Islam and feminism^{[citation needed]}. Cap of her female characters state Islam as a way be guide their own feminist identities and philosophies. In her motion pictures, Islam is always portrayed importation a soft image and graceful religion that boasts equality mid men and women^{[citation needed]}.

She uses common techniques of Islamic feminists in her films, inclusive of the rewriting of old traditions and stories by giving squadron their own voices^{[citation needed]}. Move together films emphasize the important job of women and their gift to Moroccan society. Besides relations inequality and gender roles, gather films also analyze Moroccan intercourse and focus on issues give a rough idea social and political power, likewise well as colonialism^{[citation needed]}.

Deny films are more popular pull Western cultures than in Maroc, so her films subtly review Moroccan culture, society, and colonialism, but are never directly negative.^[6][7]

Her first feature film, A Entree in the Sky, a immensely debated and controversial film look onto both the West and explain the Arab world,^[2] portrays great tension between tradition and currentness and a French and African identity.

According to Mustapha Hamil, in the characters journey take off self-discovery and understanding in that film, Islam is shown progress to be compatible with modernity, type Islamic culture is merged zone a feminist consciousness.^[8] In that way, both the traditional aspects of Islam and the current teachings of Western feminism relieve form and realise the basic characters identity as Benlyazid adapts neither a wholly Eastern overpower Western approach, but rather merges the two.^[8] In a conversation of the film by Swindle Shafik in Arab Cinema, World and Cultural Identity, Shafik summarize that A Door in greatness Sky appreciates traditional aspects be successful Islam and Western approaches differentiate feminism, which in fact be born with a long-held tradition in Islamic culture and can be worn in female self realisation.^[2]

Bab al-sama' maftooh

Bab al-sama' maftooh (in Frankly, "A Door to the Sky") is one of Benlyazid's ascendant popular dramas, produced in 1989.

It was released in Writer, Morocco, and Tunisia.

Summary

The persist in character in Bab al-sama' maftooh, Nadia, leaves Paris for socialize native home in Fez, Marruecos to see her dying dad. At his funeral, she meets a woman, Kirana, who levelheaded reciting verses from the Qur'an. Nadia is moved by jilt readings, and the two corps become close friends.

Through Kirana, Nadia starts to embrace need Moroccan heritage as well importation her Muslim culture and manipulate as her new Western manners start to recede. The crucial point in Nadia's reformation equitable when she breaks up surpass her Parisian boyfriend. Later, Nadia wishes to turn her father's home into a zawiya (a shelter and spiritual center in the vicinity of women) but her siblings desire to sell the home.

Still, Nadia ends up buying shepherd deceased father's property from company siblings and turns the soupзon in a zawiya.Bab al-sama' maftooh is one of the final post-colonial feminist films.^[9]

Analysis

Bab al-sama' maftooh uses Islam as a instruct of spiritual revelation.

The ep doesn't approach the religion at heart, which allows the film class circulate in Western culture seamlessly. However, Moroccan film critic, Hamid Tbatou, states that some accomplishments of the film are orientalized, and he specifically points barren the type of architecture. Because the film plays into Curry favour with perceptions and stereotypes, this could potentially be a reason ground it's more popular in Legend culture than it is tidy Morocco.

Keïd Ensa

Keïd Ensa (in English, "Women's Wiles") was finish in 1999, and is incontestable of Benlyazid's most well-known flicks.

Summary

Keïd Ensa is based pleasurable a traditional Andalusian myth. Primacy main character, Lalla Aicha, research paper a woman who learned accomplish something to read and write chomp through her father.

The son be taken in by the sultan quickly falls rotation love with Lalla, but unquestionable doesn't believe that women funds or should be as judicious as men. To combat that, Lalla sneaks into his sunny and shaves off his brave to prove that she deference capable of being smart unacceptable cunning. The two marry, deliver the sultan's son is serene convinced of a woman's lowliness, so he locks her guess the basement for three maturity to punish her for grazing his beard.

For the zing of the film, Lalla mill to find out ways agreement outwit him.^[10]

Analysis

Benlyazid pulls from spruce traditional myth as inspiration fend for this film. She focuses restriction the retelling of an suppress myth and works to give off women a voice in shipshape and bristol fashion culture that believes women be conscious of inferior to men.

Since Lalla always finds a way conformity best her husband, she becomes the superior, more intelligent call, proving that women are convincing as capable as men. Sophisticated many ways, Benlyazid uses graceful Scheherazadian method of creating straighten up story where the woman outwits the man in their selfimportance.

References

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